Claude autant lara biography of michael

Biography in: John Wakeman, editor. Pages New York: The H. Wilson Company, The director must consider himself surrounded by enemies; what I mean is that, in a business where the taste of one man must prevail, he is surrounded by people who want to do nothing but improve their own tastes. L'auberge rouge 5. Love Is My Profession 6. The Red and the Black 6.

Claude autant lara biography of michael

The Immature Grain 6. Le bon Dieu sans confession 6. The Seven Deadly Sins 6. The Red Inn 7. Devil in the Flesh 7. L'affaire du courrier de Lyon 6. Ciboulette 5. Costume Designer. Previous 9. Douce 7. Le mariage de Chiffon 6. Nana 6. It is the same with the Academy of Fine Arts, of which he was vice-president inand these outings further tarnish the image of a director who died on February 5,as a result of a long illness, to the point of sometimes diminishing the strength of his cinematographic work.

Connect with us. During the German occupation of France in World War II, Autant-Lara now over 40 finally found opportunities to direct films in his own name, and he began a long collaboration with the screenwriter Jean Aurenche subsequently in partnership with Pierre Bost. He made three successful films in the periodall of them costume dramas which still carried echoes of the present day.

After the war he had an international success with Le Diable au corpsbased on the controversial novel of by Raymond Radiguet. The film's portrayal of a schoolboy's adulterous affair during WWI caused fresh scandal in France and consolidated Autant-Lara's reputation for challenging the prevailing moral order. In other films Autant-Lara continued to address sensitive or unpopular subjects, such as conscientious objection in Tu ne tueras pointand abortion in Journal d'une femme en blanc and Nouveau journal d'une femme en blanc Other later films however were perceived as expressing an "aggressive vulgarity" and a kind of " poujadism which confirmed his drift into sneering populism".

Instead of further film-making, he turned to writing and produced a series of polemical books in which he settled scores with his opponents. Often outspoken and provocative, Autant-Lara was for much of his career associated with leftist and anti-establishment views. After the damaging attacks on him by a younger generation of critics and filmmakers, and the production difficulties of his later films, he showed a growing readiness to blame the decadence of "the left" and its affiliation to a "Jewish conspiracy" for his problems.

At the opening session of the Parliament in July, following the tradition that the oldest elected member should take the president's chair for the initial proceedings, Autant-Lara used the opportunity to make a strongly anti-American speech, and a large number of other MEPs, including the Socialists and Christian Democrats, walked out of the chamber in protest.

He accused her of exploiting her experiences of the Nazi camps to gather sympathy for herself, and he went on to cast doubt on the accepted facts about the Holocaust. In the considerable scandal which arose after publication of these remarks, he was forced to resign his seat in the Parliament. Thereafter he lived quietly in the south of France and he died in Antibes on 5 February at the age of He was buried in the cemetery of Montmartre section 26 in Paris.

Autant married Odette Massonnet in divorced Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects.