Louis emile adan artist statement

Emile Adan, perhaps to distinguish this work from his paintings. His earlier curiosity about Realist themes took on a new urgency as the artist explored the rigors of rural life. A beggar woman seated on the chilly pavers leans against a stone pier, looking as if she had been sitting there for days. The exact meaning of this painting is not clear, but it may reflect the economic situation in the Basque country of southwestern France or perhaps a local political situation in the coastal city of Ciboure.

By the middle of the s, Adan was actively engaged in the naturalist movement. His preparatory drawings of these women further underscore that he was no longer captured by pretty faces, but by the dignity of toil-weary mothers who take their youngest children with them into the fields every day. This was the type of painting that came to the attention of the American collector, Charles Warren Cram, who was also actively acquiring work by Jules Breton.

One of his few securely dated paintings, Motherhood ofshows a woman watching her baby asleep in a beribboned cradle. The composition is an elegant study in grays, whites and abundant light, but it is the sense of having just glimpsed a private moment between mother and child that makes it memorable, and suggests that this is a family scene that Adan witnessed in his own home.

Similarly, the image known as Chemin de la Cascade offers a view of an unguarded moment when a young woman stops on her hike to fix a problem with her shoe. As with Motherhoodit is tempting to wonder who this woman might have been and what her relationship was to Adan. His work was included in the art exhibition at the Panama-Pacific International Exposition in San Francisco in ; and then again in an exhibition at the Toledo Museum of Art in Ohio where the same painting, The Holy Familywas also featured.

Louis emile adan artist statement

He also continued to exhibit annually at the Salon in Paris until his death in Janet Whitmore, Ph. The Italian exhibition was held at the Galleria Vetrina in Florence in See letters from Adan to Cram dated 5 mai ; 26 mai ; and 26 juin regarding the purchase of Le Soir as well as other paintings. He concentrated during this decade on a naturalist painting with many rural scenes with an agrarian theme.

He was again well rewarded: second medal in and gold medal in at the Paris Salon and regularly received favorable reviews. Besides his production of paintings, ADAN was an excellent watercolorist and had the opportunity to also illustrate in the s several works such as the Complete Works of Alphonse Daudet or A simple heart by Gustave Flaubert for the best known.

His reputation as a distinguished and collected painter, particularly in France and the United States - the collector Charles Warren Cram bought several of his paintings exhibited at the Paris Salon ofwas recognized in when he was raised to the rank of knight of the Legion of Honor and admitted in to sit on the jury of the Salon and the Salon of French Artists.

The last decades of Adan's life are curiously obscure. He continued to exhibit annually at the Paris Salon until his death in Bibliography: - C. The Italian exhibition took place at the Galleria Vetrina Florence in It is a very old church built in the 6th century on the remains of the Temple of Hercules in the Forum Boarium. The church took the name of Schola Graeca in the 7th century following the installation of a community of Greek monks.

They also participated in its decoration under Pope Adrien Ier. In tribute to its appearance, it now bears the name "Cosmedin", from the Greek "Kosmidion" which would mean "ornate". Architecturally, it is noted a remarkable medieval pavement from the old St. Peter's Basilica.