Matthew frye jacobson biography books

Erica L. Black Intellectuals and Black Society. Martin L. Arnold Birenbaum. Jeff Chang. Glenn Feldman. Richard Iton. Next set of slides. In Roots TooMatthew Jacobson has written a magisterial cultural history of the ethnic revival covering a vast array of topics, from Ellis Island to the Statue of Liberty, from Roots and Fiddler on the Roof to Rocky and The Godfatherand from neoconservatism to ethnic feminism.

Our views are both complicated and deepened by this brilliant work of retrieval and analysis. It is a work of enormous significance. One of the book's strongest assets is the large number of examples and case studies Jacobson provides, including accounts of Michael Dukakis's relentless invocation of his Greek background during his failed presidential matthew frye jacobson biography books and how artist Judy Chicago's 'evolving sense of Jewishness' became central to her work Jacobson's considerable achievement is how he avoids reducing ethnic revival to simple multiculturalism or the inevitable result of the fabled hard-working Ellis Island immigrant.

In this exciting new study, leading immigration historian, Matthew Frye Jacobson, argues that the white ethnic revival of the late twentieth century was about more than the individual rediscovery of one's "roots" Roots Too speaks to many audiences but will be of most interest to scholars of immigration and ethnicity or of late-twentieth-century American culture.

For the former audience, it is among the most thought-provoking works in recent years and could potentially reshape the field. This much has been broadly understood, and even exploited by moviemakers and politicians But the origins of this development and its consequences for American racial and civic relations have not been as well explored.

Roots Too fills this gap; it is an excellent introduction to discussions of contemporary American discourse on identity. Using a close and persuasive reading of historical, literary, cinematic, and political materials, Jacobson identifies the roots of this ethnic identification in civil rights-era black politics and considers its impact on liberal, conservative, and feminist politics.

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Numbers: The number in blue to the left of the publication year is our users average rating of that book. The number to the left of the book title in green is your own personal rating. Read Title Avg. Year Book Link 1. Special Sorrows. Whiteness of a Different Color. Barbarian Virtues. Roots Too. Dancing Down the Barricades. The Historian's Eye.

Unknown Pleasures By: Chris Ott. Pet Sounds By: Jim Fusilli. Grace By: Daphne A. Armed Forces By: Franklin Bruno. Murmur By: J. Low By: Hugo Wilcken. Endtroducing By: Eliot Wilder. Doolittle By: Ben Sisario. Highway 61 Revisited By: Mark Polizzotti. Rid of Me By: Kate Schatz. Pink Moon By: Amanda Petrusich. Swordfishtrombones By: David Smay.

Master of Reality By: John Darnielle. Slayer's Reign in Blood By: D. This one, perhaps more than any of the others I have read, serves as much as a much needed biographical work as well as a study of this album within the context of the civil rights movement. First, for those unfamiliar with this series, let me say something about it.

Each book is based on an album but each is distinct in its approach. Some are more personal than others while moving outward from that to the world at large. Some focus on each matthew frye jacobson biography books and the production of it, yet never loses sight of the time period within which it was made. What none of them are, based on the ones I've read, is simply a rehash of an album and the associated studio sessions.

Even the Siouxsie and the Banshees volume, while highlighting where the record was made, still extends beyond a basic telling of the sessions themselves. This approach yields an amazing number of new perspectives even on albums and artists you're very familiar with, and serves as wonderful introductions to those you aren't. When I saw this I dug out my CD of the album and listened to it again for the first time in about 15 years.

I did this before starting the book and I'm glad I did, it reminded me just how powerful her voice and delivery were. I was fortunate to see her a couple times many years ago and each time sent chills through me. She was just that impressive. So I came to this book with some knowledge of who she was and what she did. Jacobson chooses four songs on which to structure the book, each representing one aspect of the African-American experience after emancipation.

The album was released inthe th anniversary of the Emancipation Proclamation and a watershed year in the civil rights movement and the country as a whole. He focuses on the songs Midnight Special her as archivist and the area being the prisonCool Water representing the coffeehouse, the sight of folk music's political activityMoses Moses the church or the spiritual geographiesand Cotton Fields the plantation or social geographies.

For each song or area, Jacobson discusses both how Odetta interpreted the song and made it her own as well as the history that it speaks to. It is here that we see connections between how a song can have one meaning when we read the lyrics and yet another based on how the song is delivered. By placing this in the context of the period and of the civil rights movement, we understand how and why Odetta's performances are so moving.

They do, and should, anger as well as shame members of the audience. She is both telling a personal story in each song actually two, hers and the subject of the song and a people's story. To not be moved is to not be fully human, I think. To my knowledge this will be the first true biography of her. Reviewed from a copy made available by the publisher via NetGalley.

In Whiteness of a Different Color: European Immigrants and the Alchemy of RaceMatthew Frye Jacobson examines how the variegated white races merged in the public consciousness into Caucasians from the nineteenth century through the mid-twentieth century. He draws primarily upon the elements of mass culture, from articles in Harper's Weekly to public speeches to novels and even popular scientific texts in the period he examines.

Jacobson identifies capitalism and republicanism as the two forces that shaped whiteness in the United States pg. According to Jacobson, while the Revolutionary generation tied race to republicanism on the grounds that only free people could fully participate in democracy, the tie between the two grew stronger through the nineteenth century pg.

Like the immigration legislation, legal rulings played a key role in shaping whiteness. Following World War II, culture dominated notions of race rather than biology, with a focus on how races related to one another pg. Most stories discussed the white races in terms familiar to their audience, spreading the ideology of a hierarchy of whites.

This, however, changed with the expansionism of the late nineteenth century. Jacobson examines the concept of whiteness, beginning with the first restrictions on citizenship in free white men and tracing through how it changed into the twentieth century. Essentially, his argument is that whiteness continually changed to be more inclusive in response to the presence of a large clearly non-white population, usually blacks or Chinese.

Initially, only Anglo-Saxons were white, but it gradually came to include other northern Europeans. By the twentieth century, it included southern Europe as well.