Tarquinio e lucrezia tintoretto biography

The decorations of two ceilings with mythological subjects in the Venice home of Pietro Aretino date from The painting aroused great interest as we can see from the letter of approval that Aretino wrote in April of that year. This important commission was followed by others, the altarpiece in the church of San Marziale, completed in and the Saint Roch Healing the Plague Strickenfor the church of San Rocco in Venice.

In he began what was to become a nearly thirty-year long project, the decoration of the Scuola Grande di San Rocco, with the paintings of Saint Roch in Glorythe CrucifixionSaint Roch in Prison Comforted by Angelsand then, over the following decades, several series of paintings on canvas and altarpieces. Between and he painted the eight large canvases, the Gonzaga Cyclefor the Ducal Palace in Mantua.

In his youth, Tintoretto was attracted to the art of Andrea Schiavone and specifically his fluid and chromatically exuberant brushstrokes. In this painting there are also other cultural references, from Raphael to Pordenone to Titian. Each concept, however, is reabsorbed into an innovative layout characterized by dramatic furor and dynamism that were foreign to the work of his predecessors.

The subject, that lends itself to a portrayal in terms of agitated gestures and forced poses was particularly congenial to the temperament and Mannerist language of the twenty-five year old Tintoretto. The composition is centered on the flight of the audaciously foreshortened saint who hurtles from the sky and triggers a multitude of movements and gestures around the cleverly foreshortened nude body.

Tintoretto used two light sources, the background light bathes the scene in a natural atmosphere, while the external light exalts the bodies and gestures of the protagonists in the foreground. He delivers feelings and emotions into the wooded landscape, emphasizing the violent drama of the action with luministic contrasts and daring poses.

The scene is animated by a serene and subtly sensual atmosphere. Could this content be improved? Please let us know and we will be happy to correct it. What's wrong? What's your Email Address?

Tarquinio e lucrezia tintoretto biography

We may follow up with questions. Current URL. Something went wrong while submitting the form. Your Account. His son Domenico Tintoretto frequently assisted his father in the preliminary work for great pictures. He himself painted a multitude of works, many of them of a very large scale. At best, they would be considered mediocre and, coming from the son of Tintoretto, are disappointing.

In any event, he must be regarded as a considerable pictorial practitioner in his way. There are reflections of Tintoretto to be found in the Greek painter of the Spanish Renaissance El Greco, who likely saw his works during a stay in Venice. Portrait of the Humanist Giovanni Paolo Cornaro Jacopo Tintoretto Italian, The Supper At Emmaus C. Portrait of Ottavio Strada